• Lawrence Sail
  • Giles St Aubyn LVO
  • William St Clair FBA
  • Norman St John-Stevas (Lord St John of Fawsley)
  • Fiona Sampson
  • J.J. Scarisbrick FRHistS
  • Ann Schlee
  • Michael Schmidt
  • The Rev Professor M.A. Screech FBA
  • Roger Scruton FBA
  • Peter Scupham
  • Simon Sebag-Montefiore
  • Elisa Segrave
  • Richard Sennett
  • Vikram Seth CBE
  • Miranda Seymour
  • Sir Peter Shaffer CBE
  • Nicholas Shakespeare
  • Kamila Shamsie
  • Jo Shapcott
  • Norman Sherry
  • Elaine Showalter
  • Posy Simmonds MBE
  • Helen Simpson
  • Andrew Sinclair
  • Clive Sinclair
  • Iain Sinclair
  • Robert Skidelsky (Lord Skidelsky of Tilton FBA FRHistS)
  • Ali Smith
  • Godfrey Smith
  • Lacey Baldwin Smith FRHistS
  • Zadie Smith
  • Mary Soames (Baroness Soames LG)
  • Ahdaf Soueif
  • Frances Spalding CBE
  • Francis Spufford
  • Hilary Spurling CBE
  • John Spurling
  • Tom Stacey
  • Jon Stallworthy FBA
  • Martin Stannard
  • Edward St Aubyn
  • C.K. Stead ONZ CBE
  • George Steiner FBA
  • Rory Stewart OBE MP
  • Stanley Stewart
  • Sir Tom Stoppard OM CBE C Lit
  • Sir Roy Strong FSA
  • Kate Summerscale
  • Virginia Surtees
  • John Sutherland
  • Graham Swift
  • George Szirtes

Mimi Khalvati – Year of election 2009

Mimi Khalvati

Mimi Khalvati is the author of six collections of poetry, beginning with In White Ink (1991). In 2006 she received a Cholmondeley Award. Born in Tehran, she says she has “never taken language for granted”. She was sent to boarding school in the Isle of Wight at the age of six, speaking only Farsi; later, after an English education, she had to learn Farsi all over again. She trained as an actor and director, and now lives in London, where in 1997 she founded the Poetry School, which offers a programme of classes – from one-day workshops to year-long courses – to teach adults to write poetry. She has been Poet in Residence at the Royal Mail, a Royal Literary Fund fellow at City University and Bergeron Fellow at the American School in London.

Khalvati has said that she is less interested in the content of her writing than in the ways of doing it. “When you're writing a poem,” she explains, "there’s a strange feeling that the poem pre-exists, that it’s out there, and also that it exists outside you. And in writing the poem you are taking it from the outside and bringing it back in . . . By finding it through language, it becomes visible. The magic is how the particular metre or rhyme . . . reveals what’s out there.”