
Amit Chaudhuri’s first novel, A Strange and Sublime Address, published in 1991, won a Betty Trask Award and a Commonwealth Writers Prize. His second, Afternoon Raag, won the Encore Award, and his fifth, The Immortals,
appeared in March this year. He is also a musician – a singer in the
Hindustani classical tradition who four years ago established This Is
Not Fusion, a project in experimental music combining jazz, blues and
rock with the Indian raga. He is Professor of Contemporary Literature
at the University of East Anglia and was the first Indian to serve as a
judge on the Man Booker International Prize.
“My first
ambition,” he says, “was to be a poet, and not a novelist. But that it
was the glamour of the commonplace and the music of the sentence itself
that were important to me – more important than character, psychology,
resolution, or narrative – came to me only during my miserable years as
an undergraduate in London in the early Eighties. These seemingly
Manichean dichotomies continue to govern my life in ways I couldn’t
have foreseen: poetry and prose; music and language; criticism and the
‘creative’ – so that hiding, or escaping, from one part of myself is
also a release into, and annexation of, another part. Eliot’s ‘escape
from the personality’ was never wholly necessary or possible; since the
personality itself turned out be such an unexpected labyrinth.”