• Richard Mabey
  • Fiona MacCarthy
  • Ian McDonald AA
  • Ian McEwan CBE
  • Robert Macfarlane
  • Roger McGough CBE
  • Patrick McGrath
  • Shena Mackay
  • Denis Mack Smith CBE FBA
  • Rory MacLean
  • Margaret MacMillan
  • Candia McWilliam
  • Brenda Maddox
  • Noel Malcolm FBA
  • David Malouf
  • Norman Manea
  • Alberto Manguel
  • Philip Mansel
  • Hilary Mantel CBE
  • Patrick Marber
  • Patrick Marnham
  • Adam Mars-Jones
  • Philip Marsden
  • Rosalind Marshall
  • Allan Massie
  • Douglas Matthews FCLIP, Benson Medallist
  • Glyn Maxwell
  • Derwent May
  • Geraldine McCaughrean
  • Ved Mehta
  • Edward Mendelson
  • Jeffrey Meyers
  • Mary Midgley
  • Karl Miller
  • Michael Millgate
  • Pankaj Mishra
  • Rohinton Mistry
  • Julian Mitchell
  • Deborah Moggach
  • Caroline Moorehead OBE
  • Geoffrey Moorhouse
  • Elaine Morgan
  • Michael Morpurgo OBE
  • Jan Morris CBE
  • Blake Morrison
  • Nicholas Mosley (Lord Ravensdale MC)
  • Sir Andrew Motion
  • Ferdinand Mount (Bt)
  • Paul Muldoon
  • Alice Munro
  • Richard Murphy

Amitav Ghosh – Year of election 2009

Amitav Ghosh

Amitav Ghosh’s most recent book, published last year and shortlisted for the Man Booker Prize, is Sea Poppies, a novel of the opium wars that James Buchan compared to Walter Scott – with dollops of Hobson-Jobson. Ghosh’s first, The Circle of Reason (1986), was awarded the Prix Médicis étranger, his second, The Shadow Lines, won two important Indian prizes, the Sahitya Akademi Award and the Ananda Puraskar, and the third, The Calcutta Chromosome, won the Arthur C. Clarke Award. His books have been translated into 19 languages and in 2007 he was awarded the Padma Shri, one of India’s highest honours.

Giving an interview on the publication in 2001 of The Glass Palace, which won a Frankfurt eBook Award at the Frankfurt book fair, Amitav Ghosh was asked how his background as an historian, journalist and anthropologist informed his work. He said: “For me, the value of the novel, as a form, is that it is able to incorporate elements of every aspect of life – history, natural history, rhetoric, politics, beliefs, religion, family, love, sexuality. As I see it the novel is a meta-form that transcends the boundaries that circumscribe other kinds of writing, rendering meaningless the usual workaday distinctions between historian, journalist, anthropologist etc.”